"[2] Michael Cooper of Dancing Astronaut stated that "Witching Hour" acts as proof that "[Rezz] isn't slowing down one bit", noting the song for its "spidery, skittering percussion and reverb-heavy synth lines to set a fitting ominous mood.

"[28] Your EDM's Matthew Meadow wrote that the song was a "stellar introduction to the new Rezz sound on the album", describing it as a mix between her usual style with an "invigorated drive and purpose".

"[24] Writing for Nest HQ, Cassie Sheets wrote that the song set the tone for the album, describing it as a resemblance to that of an "eerie, supernatural Victorian era with parallels to the minds of Stevenson or Shelley, known for Dr Jekyll and Mr Hyde and Frankenstein, respectively.

"[26] Lindsey Oh of Dancing Astronaut wrote that "Hex" blended the two artists' styles to "effortlessly from the spooky build-up to the heavy and welcomely abrasive drop they mesmerize listeners and transport them to a place of bass, lasers and head-banging.

"[29] Cassie Sheets of Nest HQ wrote that the song is a "fast-track lane to the depths of hell, with enough force to shatter the frozen, ice lake and let loose all of the sinful creatures which lurk below.

"[30] Billboard's William Selviz called the song "industrial and eerie, exactly what Rezz fans have come to know and love from their space mom queen", writing that it "creeps under the skin and lives in your brain for weeks.

"[2] EDM Identity's Jayce Ullah-Blocks compared "Life & Death" to the previous song, "Flying Octopus", stating that the former was a different story and that with "hiccupped wubs and chilling alien gargles, this collaboration with Deathpact is a hip-shaking tune that rejuvenates the soul before it's snatched away with each staccato wobble."

"[2] Nest HQ's Cassie Sheets wrote that "Spider on the Moon" demonstrated Rezz's "natural intuition on the equal importance of the absence of sound", describing the song as a "dichotomy between the robust, sub-bass characteristics and the rich, glistening melodic intonations.

"[26] EDMTunes' Nina Chiang described "The Crazy Ones" as a song that relies "as much on there absence of sounds as the presence of it", further writing that "it'll make you shiver with each drop that alternates between head bobbing bursts and muted pulsing bars.

"[26] Writing for Dancing Astronaut, Christ Stack described the song's hook as one that contains a "contrast between static and single synth melodies that sounds like an indecisive conversation between the interworking personalities of a deranged one.

"[24] Writing for Noiseporn, Jeanette Kats wrote that the song proves that Rezz's punk influences remain intact, describing the collaboration with Fytch delivers an "edgy and unexpected result.