[1] Chae Ho-ki was born on October 13, 1957, in Daegu, South Korea[2] and published his first poem in 1988 and since that time has been considered by South Korean critics as one of the major voices in Korean literature.
[3] If a desire for emotional union with the subject matter can be described as a general characteristic of Korean poetry, Chae departs radically from such a tendency to seek instead the complete obliteration of the boundary between the subject and the language in his poetry.
His first volume of poetry, Ferocious Love, rejects love as an idea and an emotional state and focuses on its physicality and mortality: like the train daggering into the dark cave of your body Blue blade pierces death This ferocious love Burying your casket in my womb So I bury my casket in your womb.
Desire itself is objectified and given a physicality in "The Sad Gay", in which a gay man transforms himself into another being through the mechanical process of replacing body parts:[4] Your two eyes on my palm I pull out my eyes and inserts them into the sockets.
In this volume of poetry, language acts as a corrosive agent that melts away the external shape of things to reveal their true essence by means of which a perfect union with others is achieved.