Charlotte Mercier

An appeal from her mother was read to the Society of Artists in 1761, but she nevertheless died in the St James Workhouse in Westminster the following year.

[1] Two portraits, of Madeleine Marie Agathe Renée de la Bigotière de Perchambault and of Olivier-Joseph Le Gonidec, are in the collection of the National Museum of Women in the Arts; both are pastels, and are dated 1757.

[2][3] A mezzotint after her father, Miss Playing with Cup and Ball, is owned by the National Portrait Gallery, London,[4] which also owns a mezzotint portrait of her, after another of her father's works, by James Macardell, published in 1756.

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