Chatsworth House

[7] Chetel was deposed after the Norman Conquest, and in the Domesday Book of 1086 the Manor of Chetesuorde is listed as the property of the Crown in the custody of William de Peverel.

The famed political philosopher Thomas Hobbes spent the last four or five years of his life at Chatsworth Hall, then owned by William Cavendish, 1st Duke of Devonshire.

Cavendish aimed initially to reconstruct only the south wing with the State Apartments and so decided to retain the Elizabethan courtyard plan, although its layout was becoming increasingly unfashionable.

Connoisseurs of the arts, they included in the collection paintings, Old Master drawings and prints, ancient coins and carved Greek and Roman sculptures.

He had the old stables and offices as well as parts of Edensor village pulled down so they were not visible from the house, and replaced the 1st Duke's formal gardens with a more natural look, designed by Capability Brown, which he helped bring into fashion.

With his death, his important collection of architectural drawings and Inigo Jones masque designs, Old Master paintings and William Kent-designed furniture were transferred to the Dukes of Devonshire.

In 1774, William Cavendish, 5th Duke of Devonshire, married Georgiana Spencer famous as a socialite who gathered around her a large circle of literary and political friends.

When he built the North Wing to the designs of Sir Jeffry Wyatville, it included a purpose-built Sculpture Gallery to house his collection.

In addition to a sculpture gallery, the new north wing housed an orangery, a theatre, a Turkish bath, a dairy, a vast new kitchen and numerous servants rooms.

[13]: 52  There is much eastern influence in the decoration, including hand-painted Chinese wallpapers and fabrics typical of Regency taste, which developed in the reign of George IV (1762–1830).

The 6th Duke had another chance to welcome Victoria in 1843, when the Queen and Prince Albert returned to enjoy an array of illumination in the gardens, in the conservatory and on the fountains, forming a scene of "unparalleled display and grandeur", according to one guest.

In 1844, the 6th Duke privately printed and published a book called Handbook to Chatsworth and Hardwick, giving a history of the Cavendish family's two main estates.

It snowed almost constantly while they were there and the King reportedly started a snowball fight, in which the assembled ladies joined enthusiastically, when he met the Marquis of Soveral, the Portuguese Envoy Extraordinary and Minister Plenipotentiary to the Court of St James's.

Some of those used as barracks were badly damaged, but the 10th Duke, thinking that schoolgirls would make better tenants than soldiers, arranged for Chatsworth to be occupied by Penrhos College, a girls' public school in Colwyn Bay, Wales.

[20] Some of the family's advisors considered the situation irretrievable and there was a proposal to transfer Chatsworth to the nation as a Victoria and Albert Museum of Northern England.

[21] The new trust was granted a 99-year lease of the house, its main contents, its grounds, its precincts and adjacent forestry, a total of 1,822 acres (737 ha).

To facilitate the arrangement and build up a sufficient multi-million-pound endowment fund, the trustees sold works of art, mostly old masters' drawings, which had not been on regular display.

[27][28] During the 2022 European heatwaves, a section of the Great Parterre that formerly occupied Chatsworth's South Lawn was revealed as the grass and soil dried out, showing the patterns of earthworks that had been used to construct it.

The design of the south front was revolutionary for an English house, with no attics or hipped roof, but instead two main stories supported by a rustic basement.

The 1st and 6th Dukes both inherited an old house and tried to adapt to the lifestyle of their time without changing the fundamental layout, which in this way is unique, full of irregularities, and the interiors are decorated by a diverse centuries-old collection of different styles.

The 1st Duke created a richly appointed Baroque suite of state rooms across the south front when expecting a visit from King William III and Queen Mary II, which never occurred.

The State Apartments are approached from the Painted Hall, decorated with murals of scenes from the life of Julius Caesar by Louis Laguerre, and ascend by the cantilevered Great Stairs to an enfilade of rooms that controlled how far a person could progress into the presence of the King and Queen.

However, sensitive to his family heritage, he left the rooms largely untouched, making additions rather than changing the existing spaces of the house.

The room in the south-east corner was once the Ducal bathroom, until the Bachelor Duke built his new plunge bath in the North Wing, and is now a pantry where the family china is kept.

Its entrance gate features four Doric columns with rustic banding, a pediment with a huge carving of the family coat of arms, two life-size stags embellished with real antlers, and a clock tower topped by a cupola.

Bess of Hardwick's park was wholly on the east side of the river and only extended as far south as the Emperor Fountain and as far north as the cricket ground.

Seven fish ponds were dug to the north-west of the house, where the large flat area is used now for events such as the annual Chatsworth Horse Trials and the Country Fair, typically held near the end of August.

St Peter's in Edensor is where the 6th, 7th, 8th, 9th, 10th and 11th Dukes and their wives are buried, not in a vault inside the church, but in individual graves marked by simple headstones, in the Cavendish family plot overlooking the churchyard.

Chatsworth also runs two annual rural-skills weeks, in which demonstrations of agricultural and forestry are given to groups of schoolchildren on the estate farms and woods.

This, together with 30,000 acres (12,000 ha) around Bolton Abbey in Yorkshire (mostly moorland) and some land in Eastbourne and Carlisle belongs to The Trustees of Chatsworth Settlement, a family trust established in 1946.

This engraving by Kip and Knyff shows Chatsworth part way through the 1st Duke's alterations. The south front has been rebuilt but the original east front survives. The baroque garden has been laid out, but only the first, smaller version of the Cascade has been built, and the Canal Pond has not been dug. The 1st Duke's stables are to the left of the house
17th-century painting of the west front of the Elizabethan Chatsworth
This late 18th-century oil painting by William Marlow emphasises the romantic aspect of Chatsworth's setting on the edge of the Peak District
Georgiana as Cynthia from Spenser 's Faerie Queene . Painting by Maria Cosway c. 1782 .
The 6th Duke's dining room
A view of Chatsworth from the south-west c. 1880 . The stables can be seen behind the house and the Hunting Tower is visible in Stand Wood
Chatsworth with rolling hills behind the house.
Chatsworth, c. 1913.
Chatsworth House viewed from the top of the Cascade
A modern view of the house
Renovation of Chatsworth House, 2011
The West Front of Chatsworth from Colen Campbell 's Vitruvius Britannicus
Painted Hall with murals completed 1694 by Louis Laguerre
State Bedroom completed 1694
Library 1694–1700 plaster work by Edward Goudge, ceiling paintings by James Thornhill, bookcases and fireplace by Jeffry Wyatville 1824
Venus supported by Iris , complaining to Mars by George Hayter , exhibited in 1820 at the RA "to acclaim" (in the Ceiling of the Ante Library Chatsworth House) – Winner of the Royal Academy Painting of the Year in 1823
Chatsworth c. 1703 by Flemish artist Jan Siberechts
A panoramic view of Chatsworth House and Park, early 18th century ( Pieter Tillemans )
The Cascade
Flora's Temple
The Rockeries
The Emperor Fountain
Neoclassical sculpture, Chatsworth House garden
The Great Conservatory at Chatsworth. Built from 1836 to 1841 and demolished in 1920.
Paxton's daughter Annie standing on a Victoria amazonica leaf in the Lily House
The South Front and the South Lawn with the Seahorse Fountain. The exterior steps are a 19th-century replacement for the original horseshoe-shaped steps.
The stable block 1758–67 by James Paine
The Hunting Tower c.1580
The Bridge 1759–64 by James Paine
Weir on the River Derwent at the Chatsworth estate