Chesley Bonestell

While with William van Alen, he and Warren Straton designed the art deco façade of the Chrysler Building as well as its distinctive eagles.

[6] Returning to the West Coast, he prepared illustrations of the chief engineer's plans for the Golden Gate Bridge for the benefit of funders.

In the late 1930s he moved to Hollywood, where he worked (without screen credit) as a special effects artist, creating matte paintings for films, including The Hunchback of Notre Dame (1939), Citizen Kane (1941) and The Magnificent Ambersons (1942).

[citation needed] Bonestell then realized that he could combine what he had learned about camera angles, miniature modeling, and painting techniques with his lifelong interest in astronomy.

"[8] It was constructed with a combination of clay models, photographic tricks and various painting techniques (Titan has a thick haze; such a view is probably not possible in reality).

[1] When Wernher von Braun organized a space flight symposium for Collier's, he invited Bonestell to illustrate his concepts for the future of spaceflight.

Coming as they did at the beginning of the Cold War and just before the sobering shock of the launch of Sputnik, the 1952–1954 Collier's series, "Man Will Conquer Space Soon!

In 2017, the first ever album of Sun Ra vocal tracks was released, The Space Age Is Here to Stay, featuring sleeve art authorized by the Bonestell estate.

[14] Bonestell appeared in the documentary The Fantasy Film Worlds of George Pal (1985) (Produced and directed by Arnold Leibovit).

Bonestell's first cover for Galaxy Science Fiction (Feb 1951), The Tying Down of a Spaceship on Mars in Desert Sandstorm
Bonestell Crater , as seen by HiRISE . Scale bar is 1000 meters long.