From 2014–2016, along with Puerto Rican novelist Jonathan Marcantoni, he ran the YouNiversity,[3] a non-profit digital workshop that provided students access to and experience with the publishing industry through media professionals in the United States, Europe, Latin America, and Africa.

"[7] Technoculture praised his hybrid CNF the Internet is for real (C&R Press, 2019) as "an autobiography in and of assemblage,"[8] Harvard Review called it "a threshold book,"[9] and Hobart described it as "a much-needed treatise on 'post-Internet' culture.

"[10] His first hybrid CNF Death of Art (C&R Press, 2016) was celebrated as "bringing surprise and joy back to Conceptual writing"[11] and "a striking amalgamation of memoir and social critique, poetry and cultural theory.

"[12] Minor Literature[s] 2015 review of Campanioni's work focused on his parents' exile past and his own dislocated present, asserting that his poetry had found ways to re-evaluate technology as a conduit for connection and learning, especially linguistically.

In collaboration with designer Ab[Screenwear] and director Nadia Bedzhanova, the adaptation of Campanioni's poem "This body's long (& I'm still loading)" was in the official selection of the Canadian International Film Festival in 2017.