Christopher Horace Steele-Perkins (born 28 July 1947) is a British photographer and member of Magnum Photos, best known for his depictions of Africa, Afghanistan, England, Northern Ireland, and Japan.
Returning to Britain, he joined the University of Newcastle upon Tyne, where he served as photographer and picture editor for a student magazine.
[3] In 1975, Steele-Perkins joined the Exit Photography Group with the photographers Nicholas Battye and Paul Trevor, and there continued his examination of urban problems: Exit's earlier booklet Down Wapping[4] had led to a commission by the Calouste Gulbenkian Foundation to increase the scale of their work, and in six years they produced 30,000 photographs as well as many hours of taped interviews.
[6] Steele-Perkins became an associate of the French agency Viva in 1976, and three years after this, he published his first book, The Teds, an examination of teddy boys that is now considered a classic of documentary and even fashion photography.
[citation needed] In 1977, he made a brief detour into "conceptual" photography, working with the photographer Mark Edwards to collect images from the ends of rolls of 35mm film taken by themselves and others.
[8] Work documenting poverty in Britain took Steele-Perkins to Belfast, which he found to be poorer than Glasgow, London, Middlesbrough, or Newcastle, as well as experiencing "a low-intensity war".
Thirty years later, he returned to the area to find that its residents had new problems and fears; the later photographs appear within Magnum Ireland.
the grandeur of the images comes from Steele-Perkins never neglecting the human, the individual face in the great crowd of history.The book and the travelling exhibition of photographs were also reviewed favorably in the Guardian, Observer, Library Journal, and London Evening Standard.
[18] With his second wife the presenter and writer Miyako Yamada (山田美也子), whom he married in 1999,[19] Steele-Perkins has spent much time in Japan, publishing two books of photographs: Fuji, a collection of views and glimpses of the mountain inspired by Hokusai's Thirty-six Views of Mount Fuji; and Tokyo Love Hello, scenes of life in the city.
[22] In 2008 Steele-Perkins won an Arts Council England grant for "Carers: The Hidden Face of Britain", a project to interview those caring for their relatives at home, and to photograph the relationships.