Christian Attersee

[1] After he had spent his youth in Upper Austria (also at the Attersee, the origin of his artist's name), Attersee began his studies in 1957 at the then-named Vienna Akademie für angewandte Kunst' (Academy of Applied Arts, in 1998 renamed to "University of Applied Arts") with E. Bäumer, keeping these up until 1963.

Being very intrigued by object and action art from the start, Attersee attempted to combine music, speech, photo and video art with the basic form to create a new form of total artwork (also known by the German term Gesamtkunstwerk) like object inventions such as the "Speisekugel" ("food sphere"), the "Speiseblau" ("food blue"), the "Prothesenalphabet" ("prosthetical alphabet"), the "Speicheltönung" ("saliva tinge" or "saliva hue"), the female vagina as an object of art, as well as the self-coined "Attersteck".

One example is the provocative Kinderzimmertriptychon (Nursery Triptych) from 1971, which is inspired by a picture-book illustration of Fedor Flinzer.

Moreover, there are ambiguous, artsy connotations and imaginations of a likewise free-spirit and very Austrian mentality with a bias towards sexual malapropism.

Since 1990, he has held a chair at the Vienna University of Applied Arts and is one of the most renowned contemporary Austrian artists worldwide.