This monthly magazine combined artistic and journalistic strategies, e.g. hiring Nan Goldin as a photojournalist and Pipilotti Rist as a model, but was already discontinued after just six issues.
From 1988 to 1992, Doswald was a member of the board (and chairman on an interim basis) at Zurich's Shedhalle, where curator Harm Lux ran an ambitious exhibition programme, e.g. with projects by Jordi Colomer, Francesca Woodman, Christian Marclay, Sylvie Fleury, Christopher Williams, Pipilotti Rist, Thomas Hirschhorn and Daniele Buetti.
[citation needed] In parallel, from the mid-1980s onwards, Doswald curated exhibitions, e.g. at Kunsthaus Graz, Villa Arson in Nice, Kunstmuseum Bern, Centre Pasquart Biel and the Academy of Arts in Berlin.
From 2001 to 2007, he was a member of the "Comité technique", the purchasing committee at Fonds Régional d'Art Contemporain (FRAC PACA) in Marseille,[7] where he realised various exhibitions, e.g. with Ugo Rondinone and Maria Marshall.
The KiöR project zürich – transit – maritim, commonly referred to as "Hafenkran" (harbour crane), attracted a lot of attention.