Christophe-Gabriel Allegrain

His single most famous work, a marble Bather (La Baigneuse), was commissioned for the royal residences through the Bâtiments du Roi in 1755; a modelled sketch was shown at the Salon of 1757.

When the finished marble was finally exhibited at the Salon of 1767 it received a sensational reception.

In 1772 Louis XV presented it to Mme du Barry for her Château de Louveciennes, where she had recently completed the famed pavilion that introduced the new Neoclassicism, usually associated with the "Louis Seize style", into court circles.

After the King's death she was pleased enough with it to commission from Allegrain a pendant bather in 1776, which he delivered in 1778 (illustration).

There are small-scale patinated bronze reproductions, and both pieces remained popular and often reproduced through the nineteenth century: in 1860, when the Goncourt brothers referred to "the refined legs of a Diana of Allegrain",[1] their readers conjured up the familiar image.