Radical Film Culture.,[1] which resituates such well-known auteurs like Sergei Eisenstein and Jean Renoir in an American political context.
[3] It also argues that the 1930s proved a vital moment in time regarding the emergence of Left Film Theory,.
[4][5][6] His book, Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas.,[7] addresses the rise of video activism and the new anarchism from the 1970s to the present.
[11] His newest book, "Abolishing Surveillance: Digital Media Activism and State Repression" [12] addresses how various communities like counter-summit protesters, cop watchers, Muslim American youth, and animal rights activists use video activism in their grassroots work to counter state repression and for self-determination.
[14] He writes occasionally[clarification needed] for Pop Matters [15] and Cineaste: The Alchemy of the Velvet Underground's Art: [1] Freedom Is An Endless Meeting: The Utopian Vision of Women Talking: [2] Disruptive Film and Political Turmoil: Disruptive Film and Political Turmoil Adjusting the Focus on Somali-Americans: "First Person Plural" and "Muslim Youth Voices": Adjusting the Focus on Somali-Americans: 'First Person Plural' and 'Muslim Youth Voices' Bill Gunn's 'Personal Problems' and a History of the Video Revolution: Bill Gunn's 'Personal Problems' and a History of the Video Revolution Documenting the Little Abuses: Copwatching, Community Organizing, and Video Activism: Documenting the Little Abuses: Copwatching, Community Organizing, and Video Activism Field of Vision: An Expedition in Short-Form Documentary Filmmaking: FieldofVision.pdf Expanding Our Field of Vision: An Interview with Laura Poitras: ExpandOurField.pdf The Watermelon Woman, or What Happened to New Queer Cinema: 'The Watermelon Woman', or, Whatever Happened to New Queer Cinema?