[15] The channel REALTY-V was created as part of the long-term project REALTY by Tirdad Zolghadr and deals with topics such as gentrification, urbanism, the future in global and local contexts.
[13] Together with Georg Diez, the research project 80*81, funded by the Kulturstiftung des Bundes (English: German Federal Cultural Foundation), was created in 2010.
[26] A year later, a series of congresses was organized in Berlin, Johannesburg, New Delhi, Sao Paulo, and Tel Aviv, documented in the book 2081.
Among others, Armen Avanessian, Bengt Beutler, Florian Hecker, Julia Hummer, Antonia Kesel, Katja Riemann, Michael Stöppler, Moritz von Uslar and the Bremer Philharmoniker (English: Bremen Philharmonic Orchestra) were part of the production.
[33] Since 2017, he has been working and architecting with Arno Brandlhuber and Olaf Grawert on films that show the connections between architecture and politics and their impact of decisions on a local and global level.
[2][13] The films feature interviews with Sandra Bartoli, Oana Bogdan, Renée Gailhoustet, Yona Friedman, Patrik Schumacher, Hans-Jochen Vogel and, Anna Yeboah, among others.
Together with Arno Brandlhuber, Olaf Grawert and Nikolaus Hirsch, they assembled the Team 2038 from various experts and contributors and realized the project 2038 – The New Serenity.
The film was shot in the dilapidated modernist concrete dome La Cupola of director Michelangelo Antonioni on Sardinia.
The film was part of his solo exhibition Christopher Roth, Blow Out Featuring Ver(uschk)a and is a tribute to the architect Dante Bini and the future.
[52][53][54] I thought that our present time, which was the future back in the 1960s, would be a lot wilder.During the 9th Berlin Biennale in 2016, the 30-minute film DISCREET - An Intelligence Agency for the People was created in collaboration with Armen Avanessian and Alexander Martos.
[55][56] They collaborated with experts in art, theory, technology, politics, law, hacktivism, and finance to address the challenges of post-state sovereignty, global financial feudalism, and new algorithmic regimes.
[57][58] Together with Armen Avanessian, Roth also produced the film Hyperstition in 2016, in which they put together different voices from philosophy and their research on the subjects of time and narrative.
The film uses elements of science fiction and is set in the past, present and future[59] and has been shown at art festivals in Europe and America.
[60] Armen Avanessian, Elie Ayache, Ray Brassier, Iain Hamilton Grant, Helen Hester, Deneb Kozikoski, Robin Mackay, Steven Shaviro, Nick Srnicek, Christopher K. Thomas, Pete Wolfendale and Suhail Malik are featured in the film.
Ballard, Nick Land, Philipp Lahm, Quentin Meillassoux, Reza Negarestani, Patricia Reed, Tom Streidl, James Trafford, Jeanne Tremsal, Alex Williams, and Slavoj Žižek.
Unhappily, Roth had to take this approach after the death of Berger's wife Beverly, which meant that the original subject, understandably, absented himself from proceedings.
Roth's solution is to focus on what Berger appeared to love about Quincy – the animals, the landscape, the work in the fields – and creates an enjoyable concoction, sometimes funny, sometimes surreal."
—Andrew Pulver in The Guardian, 16 February 2016[10] "Roth's minimal yet rich exhibition weaves a dense web, starting with its title: 'Blow Out' immediately brings to mind the 1966 film Blow Up by director Michelangelo Antonioni.
But it also refers to the construction technique used to build Binishells—a round concrete structure shaped by blowing out a huge air balloon—invented by architect Dante Bini.