Quentin Meillassoux

[4] Badiou describes the work as introducing a new possibility for philosophy which is different from Immanuel Kant's three alternatives of criticism, skepticism, and dogmatism.

[8] Several of Meillassoux's articles have appeared in English via the British philosophical journal Collapse, helping to spark interest in his work in the Anglophone world.

In Parrhesia, in 2016, an excerpt from Meillassoux's dissertation was translated by Nathan Brown, who noted in his introduction that "what is striking about the document... is the marked difference of its rhetorical strategies, its order of reasons, and its philosophical style" from After Finitude, counter to the general view that the latter merely constituted "a partial précis" of L'inexistence divine; he notes further that the dissertation presents a "very different articulation of the Principle of Factiality" from that in After Finitude.

In September 2011, Meillassoux's book on Stéphane Mallarmé was published in France under the title Le nombre et la sirène.

[11] In this second book, he offers a detailed reading of Mallarmé's famous poem "Un coup de dés jamais n'abolira le hasard" ("A Throw of the Dice Will Never Abolish Chance"), in which he finds a numerical code at work in the text.