On the album, Wright is joined by saxophonist Noah Howard, pianist Bobby Few, and drummer Muhammad Ali.

[1][2][3] In a review for AllMusic, Dan Warburton called "Part 1" an "explosion of holy-rolling free gospel," and praised Few's playing as "particularly volcanic."

Regarding "Part 2," Warburton stated that, while Howard's solo begins in a "florid" manner, "the rhythm section's relentless attack and Wright's preaching vocals and percussion eventually blast him into the upper atmosphere.

"[1] Phil Freeman of Burning Ambulance described the recording as having "two album-side-long tracks during which saxophonists Wright and Noah Howard attempt to out-shout both each other and pianist Bobby Few," and commented: "If gospel music sounded like this, I'd go to church.

"[5] A writer for Paris Transatlantic suggested that the use of supplemental percussion instruments on the album "is a habit Wright evidently picked up from his brief stint with Coltrane," and stated that on "Part 2," Wright's solo consists "of tight bursts of energy, mauling and ripping notes to pieces like a famished lion before finally settling on one and doing it to death.