She has been showing her work in solo and group exhibitions since 1986 in the United States, Europe, and Asia, and is represented in public and private collections domestically and abroad.
The bodies of Kolodziejski's vessels range from traditional forms such as teapots, urns, and tureens to adaptations of laboratory items such as beakers and separatory funnels.
She combines ornamentation from multiple sources, using slip-cast pieces molded from various objects and drawing from a wide variety of periods, styles, and uses.
A vessel that ends up looking as though it sprang whole from the Victorian, the baroque, or the classical period will actually be a composite of forms as contemporary as a Windex bottle, as old-fashioned as a part from a 1930s lamp, as recognizable as watch gears.
[3] In another series, Kolodziejski has focused on biological and scientific imagery, painting skeletal structures, preserved animals, and various cellular groupings, for example.