In its early years the record label published a newsletter, Kronic Oscillator, and hosted stages at two consecutive Big Day Out festivals.

In the early years of Clan Analogue membership attracted individuals who were interested and active in electronic sound in Australia,[1] including Palmer, Tobias Kazumichi Grime, Antony Bannister, Sharif Hansa, Garry Bradbury (Severed Heads, Size), George Soropos, Scot Art, Chris Bell, Bo Daley (Dark Network), Rosie X (Geekgirl), Nick Wilson, Jasper Russell, Seb Chan, Luke Dearnley (Sub Bass Snarl), Andy Fitzgerald, Ali Omar (Atone), Adrian Black, Lisa Bode, James McParlane, Jamie Stevens, Benj Askins (Infusion), Kate Crawford, Nicole Skeltys (B(if)tek), Gordon Finlayson, Ian Andrews (Disco Stu), Mark Ireland (Carrier), Cindi Drennan, Justin Maynard (Tesseract), Grant Muir (VJ Morph), Roslyn McGinty (Bass Bitch), Elle Stearn (Lush Puppy), Marty Wells (Batfreak), Murray Creagh.

During this period the label's output including numerous thematic compilation CDs such as Cognition, Jaunt, 20 Disco Greats, Aphelion, Solid Gold and Pre-Sense as well as solo releases from artists such as Deep Child, The Telemetry Orchestra, Nerve Agent, The 5000 Fingers of Dr T, Disco Stu, Atone and Dark Network.

Starting with small club nights, Clan soon started hosting parties that attracted hundreds and then thousands of patrons, including the pioneering club night 'Electronic', stages at festivals such as The Big Day Out and Freaky Loops and one-off events like Crunch, Transdimensional Vehicle (with psychedelic philosopher Terrence McKenna) and Thank God It's Friday.

Its stated philosophy is: "as a social circuit board, Clan enables the building of networks by providing members with access to equipment, knowledge and advice, along with the opportunity to play live and co-produce music.