She credits peers in her painting, drawing, and two-dimensional design classes, Morris Kantor, Sidney Delevante, and Carol Harrison, with having the greatest influence on her path of artistic endeavors career.
Here Romano painted the covers for pharmaceutical brochures and managed the finished artwork for Fortune magazine, Container Corporation illustrations, and advertisements.
[4] Their influence and admirability of Italy continued later in their lives as they held printmaking workshops for the Pratt Institute in Venice summer program starting in 1988.
Her talent within the medium was quickly notable as her first piece, Eglise de St. Martin (1950) won a purchase award from the Brooklyn Museum of Art.
"[1] Romano and Ross master their signature collagraph technique while visiting artists in Yugoslavia for the U.S. Information Agency in conjunction with "Graphic Arts USA," a traveling exhibition of American prints.
[4] Throughout Romano's printmaking processes, her proven desire to depict images of dimension and depth of color that preserves an abstracted simplicity creates intricate designed pieces of work.