Clarinet Marmalade

He is credited with "transforming it into a vehicle for hot soloists and ensemble riffs, including a new introduction and the streamlining omission of several transitional passages.

It was recorded in the 1927-1929 period by musicians such as Berlyn Baylor, Ted Lewis, Phil Napoleon, Lud Gluskin and Bill Carlsen.

[2][3] Richard Hadlock has cited Trumbauer's "Clarinet Marmalade" as "a triumph in terms of logical overall structure, melodic symmetry and rhythmic drive, a most extraordinary jazz recording" and opines that Beiderbecke's palette of color through his use of ninths, elevenths and thirteenths and substitution of scales for arpeggios was "about three decades ahead of 1927".

[6] Henderson in turn re-recorded "Clarinet Marmalade" in March 1931, inspired in part by Trumbauer's take on it, but with the restoration of the original introduction.

[3] A compilation album of the same name was released in 1994 featuring "25 Great Jazz Clarinetists" such as Benny Goodman, Johnny Dodds, Artie Shaw, Sidney Bechet, Pee Wee Russell, Woody Herman and others.