Claudio Di Veroli (born 1946) is an Argentine-Italian harpsichordist who has written several books and papers on baroque performance practice.
He studied privately in Buenos Aires under Ernesto Epstein [de] (piano and interpretation), Erwin Leuchter [de] (harmony) and Ljerko Spiller (chamber music), obtained a degree in mathematics from the University of Buenos Aires and a PhD in statistics from Imperial College, London,[1] under the supervision of Prof. Sir David Cox (statistician).
[2] Living in Europe in the early 70's he studied harpsichord with Colin Tilney in London and Hubert Bédard [fr] in Paris.
[4] After a harpsichord recital a reviewer observed that he "did not miss any detail in order to complete the historical legitimacy of his performance, and also produced a logical, live expressivness".
[5] After another concert the same reviewer noted his "virtuosity in the formidable 'Cadenza' of the Fifth Brandenburg Concerto", a performance which was the world's first contemporary one with Baroque fingerings.