[1] The book begins with the Narrator (Darley) living on a remote Greek island with Nessim's illegitimate daughter from Melissa.

They proceed to Alexandria, now under nightly bombardment because of the War (WW2), Darley continues to reminisce, sometimes lamenting, and seeks and sometimes finds, the characters of the earlier book.

He runs into Clea in the street—and they effortlessly pick up an affaire de coeur—this time unencumbered by the interfering physical presences of Justine and Melissa.

In The New York Times, Orville Prescott noted that the novel "contained fine passages of lushly beautiful descriptive writing and one marvelously grotesque and horrible disaster," but was "more passive, reflective and meandering" than its predecessors in the Quartet; Prescott also observed that the lengthy digression on the philosophy of literature, purportedly taken from Pursewarden's notebooks, "makes astonishingly little sense.

"[2] Kirkus Reviews lauded Durrell's prose as "rich with implication, color, evocation, humor, wit and poetry," with "characters [...] as vivid as dreams.