Climate fiction

The genre frequently includes science fiction and dystopian or utopian themes, imagining the potential futures based on how humanity responds to the impacts of climate change.

[1] It later came into mainstream media use in April 2013, when Christian Science Monitor and NPR ran stories about a new literary movement of novels and films that dealt with human-induced climate change.

[1] Scott Thill wrote in HuffPost in 2014 that he had popularised the term in 2009, inspired by the mixture of science and fiction in Franny Armstrong's film The Age of Stupid.

[12] It tells the story a man who awakes from suspended animation in various future eras and learns about the destruction to the Earth's climate, caused by overuse of fossil fuels, global warming, and deforestation.

[4] Octavia E. Butler's Parable of the Sower (1993) imagines a near-future for the United States where climate change, wealth inequality, and corporate greed cause apocalyptic chaos.

Here, and in sequel Parable of the Talents (1998), Butler dissects how instability and political demagoguery exacerbate society's underlying cruelty (especially with regards to racism and sexism) and also explores themes of survival and resilience.

Susan M. Gaines's Carbon Dreams (2000) was an early example of a literary novel that "tells a story about the devastatingly serious issue of human-induced climate change", set in the 1980s and published before the term "cli-fi" was coined.

[24] In Oryx and Crake, Atwood presents a world where "social inequality, genetic technology and catastrophic climate change, has finally culminated in some apocalyptic event".

[25] In 2016, Indian writer Amitav Ghosh expressed concern that climate change had "a much smaller presence in contemporary literary fiction than it does even in public discussion".

[2][28][29] Cultural critic Josephine Livingston at The New Republic wrote in 2020 that "the last decade has seen such a steep rise in sophisticated 'cli-fi' that some literary publications now devote whole verticals to it.

Books such as Eclipse our sins, by Tlotlo Tsamaase; It Doesn’t Have to Be This Way, by Alistair Mackay and Noor, by Nnedi Okorafor, have been highlighted as remarkable publications in the genre.

The Drowned World (1962) describes a future of melted ice-caps and rising sea-levels, caused by solar radiation, creating a landscape mirroring the collective unconscious desires of the main characters.

[35][36] The novel State of Fear by Michael Crichton, published in December 2004, describes a conspiracy by scientists and others to create public panic about global warming.

[42] The Stone Gods (2007) by Jeanette Winterson is set on the fictional planet Orbus, a world very like Earth, running out of resources and suffering from the severe effects of climate change.

[57] Octavia E. Butler's Parable of the Sower (1993) imagines a near-future for the United States where climate change, wealth inequality, and corporate greed cause apocalyptic chaos.

Here, and in sequel Parable of the Talents (1998), Butler dissects how instability and political demagoguery exacerbate society's underlying cruelty (especially with regards to racism and sexism) and also explores themes of survival and resilience.

[61] In Oryx and Crake, Atwood presents a world where "social inequality, genetic technology and catastrophic climate change, has finally culminated in some apocalyptic event".

Reading climate fiction in the real world often involves multiple exposures and longer narratives", such as novels, "which may result in larger and longer-lasting impacts".

In 2016, Indian writer Amitav Ghosh described what he perceived as a lack of coverage of climate change in contemporary fiction as " the great derangement ".
Speculative artwork depicting agriculture in India under climate change impacts in AD2500.
Kim Stanley Robinson's science fiction works frequently include society's response to climate change.