Coast Salish art

In historical times these were delineated among male and female roles in the community with men made "figurative pieces, such as sculptures and paintings that depicts crest, shamanic beings, and spirits, whereas women produced baskets and textiles, most often decorated with abstract designs.

[4] Among Coast Salish in the central region, the sxwayxwey (Sx̱wáýx̱way or Skwayskway in other languages) mask ceremony is an important part of the culture.

[5] Men from families who have the hereditary right to be initiated into the sxwayxwey society and wear the mask, and perform dance with the addition of women singers and a special song.

The masks themselves have budged out cylindrical eyeballs, "horns" represented by animal heads, and drooping tongues with large feathers creating a dynamic crown.

[6] Men carved house posts, grave monuments, masks, and ritual paraphernalia such as rattles; while women crafted woven robes, some plain, some elaborately coloured.

The art form is used in spindle whorls, house posts, welcome figures, combs, bent wood boxes, canoes, and other cultural objects.

A belief in the overexposure of spirit images would weaken the spiritual powers of the beings portrayed, and as a result very few pieces were produced.

Photograph of a Musqueam (xʷməθkʷəy̓əm) house post.
Squamish leaders in 1903 are wearing traditional mountain-goat wool blankets. These blankets show the different designs and patterns woven.
Here a Musqueam (xʷməθkʷəy̓əm) elder woman, C’elicia, is spinning wool on spindle-whorl c. 1915