Coffee table book

Pages consist mainly of photographs and illustrations, accompanied by captions and small blocks of text, as opposed to long prose.

[citation needed] In the field of mathematics, a coffee table book is usually a notebook containing a number of mathematical problems and theorems contributed by a community meeting in a particular place, or connected by a common scientific interest.

The concept of a book intended essentially for display over perusal was mentioned by Michel de Montaigne in his 1581 essay "Upon Some Verses of Virgil": "I am vexed that my Essays only serve the ladies for a common movable, a book to lay in the parlor window..."[3] Almost two centuries later, Laurence Sterne in his 1759 comic novel The Life and Opinions of Tristram Shandy, Gentleman advanced the more lighthearted view that "As my life and opinions are likely to make some noise in the world, and... be no less read than the Pilgrim's Progress itself- and, in the end, prove the very thing Montaigne dreaded his Essays should turn out, that is, a book for a parlour window..."[4] Beginning in the late 1940s, publisher Albert Skira and a few others, such as Cailler and Editions Tisné, Éditions Mazenod, and Harry N. Abrams, began producing large folio and quarto (4to) format art books, illustrated with tipped-in color plates, that were significant in the development of coffee table books as known today.

[5][6][7] David Brower is sometimes credited with inventing the modern coffee table book.

[8] While serving as executive director of the Sierra Club, he had the idea for a series of books that combined nature photography and writings on nature, with, as he put it, "a page size big enough to carry a given image’s dynamic.