Colin Jones (born 1934) is an English artist and sculptor whose work has been regarded as constructive and systematic.
His works have been exhibited and preserved in several public collections in England, including the Arts Council and the Tate gallery.
"[1] While the Tate gallery holds the White Rotation relief, Jones subsequently destroyed the other two: Reflection and Progression.
[2] His "Relief Construction: After-Images" (1983), made of aluminium and mild steel, decorates the Charles Wilson Building at the University of Leicester.
[5] Jones is also mentioned in Alastair Grieve's 2005 book "Constructed Abstract Art in England After the Second World War: A Neglected Avant-Garde".