[2] The documentary covers part of Colombian biodiversity in a narrative that contrasts places such as the depths of the Pacific Ocean on Malpelo Island, the arrival of humpback whales every year to the Utría National Park in Chocó, the footprints of Ciudad Perdida in the Sierra Nevada de Santa Marta, the flight of the condor in the El Cocuy National Park, the páramos of the Andes, the Sierra de Chiribiquete and its cave paintings, the Eastern Plains, the Amazon and the Providencia Island, among other places.
[1] The first release of the film took place on September 9, 2015 in Nabusimake, capital of the Arhuaco indigenous people in northern Colombia and a sacred town where meetings are held to make decisions between the communities of the Sierra Nevada de Santa Marta.
[13] The creator of the film's original music is David Campbell, a composer with a career in soundtracks from movies like Spider-Man 2, Brokeback Mountain and World War Z.
[14] Under his direction was the mixture of the compositions of Carlos Vives, Juanes, Fonseca, ChocQuibTown, Walter Silva, Aterciopelados and Andrés Castro, all performed by the National Symphony Orchestra of Colombia.
[21] "The great reception of this documentary shows that the national public is betting on other forms of representation of the country and that it sees in the cinema a way to raise awareness about issues that affect us all" said in the same article Adelfa Martínez, director of Proimagen Colombia.
[21] The movie has aroused various discussions and criticisms regarding environmental policy decisions in Colombia, for alliances in its distribution and dissemination with different government entities, mainly the Ministry of Environment.
Various opinion columns treat the subject of the film as a distraction from the country's environmental problem, which faces mining crises and controversial decisions about the use of land and resources both in cities and in protected reserves.