During its brief time operating, the production company released four films, including A Prince of His Race (1926), a remake of Timothy Shay Arthur’s Ten Nights in a Bar Room (1926) with an all black cast, Children of Fate (1927), and finally The Scar of Shame (1929).
One solution that the Corporation was able to come up with was having expensive sets and hiring a cast that had refined their acting skills which appealed to the urban eastern audiences of the greater Philadelphia area.
Written by David Starkman, and directed by Frank Peregini the film focuses on the social stratification among African Americans living in the same neighborhood.
In the film Alvin Hilliard played by Harry Henderson, falls in love with Louise a woman from the lower caste of society.
Throughout the remaining of the film there is an internal as well as external turmoil on the part of Alvin of whether he should be with Louise despite her status as person from the "black underworld" (Cripps 197).
Whatever the case The Scar of Shame became immensely popular among African American audiences at a time when the multiple levels of society could be seen without much trouble.
This theme is seen in Ten Nights in a Bar Room as the protagonist chases his daughter's killer during which he discovers himself which guides him to leading a better life.