[1][2][3][4] In a review for The Attic, Dragoș Rusu wrote: "This is deeply hypnotic trance music... this is considered healing music, evoking ancestral saints who can drive out evil, cure psychological harms or cure scorpion bites... [it] transports the listener into a magical land, a beautifully crafted landscape.

"[4] Harrison Murray of The Vinyl Voice stated: "This is sacred music that one must give oneself up to, inward, even guarded, rather than bursting out through the speakers and trying to sweep the listener off their feet in a wave of compulsory awe...

It is an album of fine details, subdued gestures, and delicate, haunting beauty, sharing common elements with Western Afro-diasporic music, but through an entirely different cultural frame.

"[5] Writing for Monolith Cocktail, Dominic Valvona commented: "Gania's playing style is raw, deep and always infectious: from blistering solos to slower and lighter ruminating descriptive articulations; this is equally matched by his atavistic soulful voice and the chorus of swooning, venerated female and male voices and harmonies that join him on each track... As inaugural releases go, this one is definitely a winner.

If its hypnotic rhythms, call and response vocals, and rippling tones don't make your body heave and sway, you're probably dead.