[3] The column stood on a marble pedestal of seven steps, and was topped by a colossal bronze equestrian statue of the emperor in triumphal attire (the "dress of Achilles" as Procopius calls it), wearing an antique-style muscle cuirass, a plumed helmet of peacock feathers (the toupha), holding a globus cruciger on his left hand and stretching his right hand to the East.
[3][5] The column survived intact until late Byzantine times, when it was described by Nicephorus Gregoras,[6] as well as by several Russian pilgrims to the city.
It was visible from the sea, and once, according to Gregoras, when the toupha fell off, its restoration required the services of an acrobat, who used a rope slung from the roof of the Hagia Sophia.
[5] It was therefore widely held that the column, and in particular the large globus cruciger, or "apple", as it was popularly known, represented the city's genius loci.
[11] Pierre Gilles, a French scholar living in the city in the 1540s, gave an account of the statue's remaining fragments, which lay in the Topkapi Palace, before being melted to make cannons:[10] Among the fragments were the leg of Justinian, which exceeded my height, and his nose, which was over nine inches long.