[11] The Washington Post wrote that "the blues ballads suffer by comparison—seasoning counts for something, after all—but even the album's weakest tracks attest to the band's obvious devotion and good taste.

"[15] The Orange County Register deemed the album more polished than the debut, and concluded that "rockabilly is as revered as rabble-rousing swing, but barrel-throated vocalist Ross Bon finely fuses the two with a little crooning here, a lot of hollering there.

"[16] The Chicago Tribune thought that "lead vocalist Ross Bon has developed into a self-assured recording artist, his warm baritone, sleek phrasing and distinctive lyric reading giving the band—and this recording—its focus and identity.

"[17] The Indianapolis Star determined that Come One, Come All "swings and sways and rocks with a sound that's both true to its World War II-era roots and the need to be contemporary.

"[14] AllMusic wrote that the album "still sounds a little stiff compared to classic jump blues, but it's still an entertaining record.