Constance Hauman performed the title role in the live recording of Alban Berg's Lulu (Chandos) made in Copenhagen in 1996 at the Queen of Denmark's Castle.
Shifting from her longstanding classical career, Constance Hauman's first full-length release of original songs, Falling into Now, was chosen by the Guardian UK Music Critic Caroline Sullivan as one of the top 10 best pop albums of 2015, coming in at No.
In 2003–2004, Hauman sang the World Premiere of Alice/Renee in Olga Neuwirth and Elfriede Jelinek's stage adaptation of David Lynch's film Lost Highway.
Performances continued in Basel Switzerland and the recording on Kairos was a recipient of France's esteemed Diaspon d'Or music award in Paris.
Constance's second vocal solo album of original works titled High Tides, again with Ross Pederson, was released on Isotopia/Heresy Records January 25, 2019, to critical acclaim in both the US and Germany "Extraordinary craftsmanship as a songwriter...undeniable talent...Astounding...Inspired Music that floods the listeners’ consciousness”—Musikreviews.de Her third album The Quarantine Trilogy, (1st and 2nd waves) released May 29 and August 28, 2020, marked Hauman's foray as a solo pianist and her first recording of purely instrumental music.
The album of pre lockdown improvisations between Hauman and Pederson, completed in social distanced home studios was inspired by her personal experience of COVID-19 and recent traumatic political events.
BAD GET SOME was released on Isotopia Records October 27, 2017, with a debut performance opening for George Clinton and Parliament Funkadelic on Halloween 2017 at BB King's NYC.
Their second album FEED THE WOLF, also produced by Ms Hauman features George Clinton on the track and music video PHAT BLUNT.
Despite 3 singles breaking 20 on Billboard's Mainstream Rock Indicator Chart in the spring and fall of 2020, the band broke up when Miss Velvet abruptly quit in June 2021.
With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism's characteristic motifs, in the span of a pop song.