[7] He designed a number of award-winning posters for the Rote Fabrik from 1994 to 1996, the Museum für Gestatung Zurich from 1994 to 1999, and other institutions.
[8] In 1994, he co-founded the digital type foundry Lineto with Stephan Müller to distribute their fonts and those of close associates.
Initially, Lineto was the name of the collaboration between Windlin and Müller, who needed a name under which to publish their typeface Dot Matrix (1993) on FontFont, the typeface library initiated by designers Erik Spiekermann and Neville Brody, before becoming a working digital type foundry.
[6] He moved to Berlin in 2011, where he co-founded Alphabet, a software engineering company for the production of type, before returning to Zurich to his own studio in 2016.
The theatre's printed matter was developed from a strictly limited set of design tools: a single typeface in a few grades, found media images and a highly reduced colour scheme.