[3] Her video-based installations and single channel videotapes explore feminist themes, issues of gender, sexuality, technology, and the ways in which history and social conditions have complicated women's rights.
Her view is accompanied by a complex network of family relations, the land, labour and community; aspects that the Western Front Gallery has considered "facets of a life well lived.
"[6] Originally installed in 1991 and remastered in 2015, Apollo's Kiss/Matricide: An Allegorical Landscape is a lightbox photograph taking inspiration from Aeschylus's Oresteia, spotlighting the tragic fate of Cassandra.
[7] Forged Subjectivity is an exhibition employing multiple screens, photo-transparencies, paintings, medical artifacts, and text to expose the compulsory nature of identifying and institutionalizing sexual difference, and the consequent perpetuation of gender roles.
Constructing a fictional biography of a cross-dressing Member of Parliament named John White, née Eliza McCormick, Wyngaarden erodes masculine and heterosexual influences in the writing of history.