[1] Legal dramas have also followed the lives of the fictional attorneys, defendants, plaintiffs, or other persons related to the practice of law present in television show or film.
"[2] Indeed, even though "there are no car chases [and]... [g]uns are never drawn", legal dramas retain strong followings because of their presentation of moral intrigue in a setting that actually reflects what occurs in the world.
For instance, in The Practice, a television legal drama series revolving around a firm of criminal defense attorneys, a common theme presented is the difficulty of defending clients known or believed to be guilty.
In the 1960 film, Inherit the Wind, the politicized issue portrayed was the legality of a Tennessee statute that made it unlawful to teach the theory of evolution in a public school.
Arguably, 12 Angry Men and To Kill a Mockingbird stand as the cornerstones of early legal dramas, garnering extensive acclaim, recognition, and awards.
Likewise, To Kill a Mockingbird received even more acclaim, garnering three academy awards out of eight total nominations at the 35th Academy Awards, appears on seven of the AFI's ten lists celebrating the greatest films, including ranking as the best courtroom drama, and selected for preservation United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
[7] The character confronts problems with their personal life and work, as it is under threat by the complex case, creating and series of action and courtroom battles.
[8] The problems that characters face are evident within reviews of films such as The Judge, where family dynamics strain after a lawyer returns home for his mother's funeral.
The film features elements of a conventional courtroom drama, such as the heroic lawyer, shady characters, and a law firm setting.
[21] The film defies the stereotypical expectations of women through featuring the main character as a woman who wants to speak openly about gang rape victimization.
[23] Marshall is another example of a legal thriller film, where the lawyer is feature as the main character, traveling the country on behalf of the NAACP to defend black men who are accused of crimes.
[25] The courtroom scenes are considered suspenseful and the setting of the 1940s shows a stage where people threw a facade with fake costumes and bright lights.
For example, because conflict between parties make for an interesting story, legal dramas emphasize the trial and ignore the fact that the vast majority of civil and criminal cases in the United States are settled out of court.
These representations are not reflective of how lawyers act in real life as their job is to remain neutral to the law and ensure every person gets a fair and equal trial, regardless of their guilt.
She also told the audience of law students that, as a lower-court judge, she would sometimes instruct juries to not follow the film's example, because most of the jurors' conclusions are based on speculation, not fact.