Couvent des Feuillants

Not ten years later, in 1585, Henry III acquired the hôtel des Carneaux,[N 2] whose buildings and lands bordered those of the Capuchins, to set up a new convent.

[2]: 8 The convent buildings were designed by the king's architect Baptiste Androuet du Cerceau,[3]: 300  and construction work was led by one of the monks.

[4]: 483–486 Abbot Jean de La Barrière remained loyal to Henry III, preaching his funeral oration at Bordeaux, but several of his disciples joined the Catholic League.

By letters patent of 20 June 1597,[5]: 86  Henry IV of France put the convent under his protection and granted it all the privileges owing to a royal foundation.

On 25 August the same year, he enlarged its lands by adding a house beside the couvent des Capucins which Henry III had acquired from the duc de Retz.

Its nave given to the painter Jacques-Louis David in autumn 1791 to paint his The Tennis Court Oath, not only since it could be adapted to fit the huge canvas but also due to its proximity to the Assembly, where several of its sitters were deputies.

The split had led to the Champ de Mars Massacre on 17 July 1791, marking the people's defiance to a king who had tried to flee.

The presence of this political club so close to the Assembly's meeting place led to a strong parliamentary polemic in December 1791.

[11] It was a large gateway surmounted by a bas-relief and surrounded by paired columns supporting a triangular pediment containing the arms of France and Navarre.

It was one of the main guesthouses belonging to the convent and still exists, its central body surmounted by a semi-circular pediment corresponding to number 231 and now inscribed on the historic monuments list.

View of the convent looking north from what is now rue de Rivoli (19th century illustration after a view of 1707)
To the left, the alignment of the buildings and the passage along the cloister wall correspond to the axis of the present-day rue de Castiglione. The central path through the garden, at right angles to this axis, corresponds to the line of the present-day rue du Mont-Thabor.
Detail from the plan de Mérian (1615) showing the convent site, whose cloister was still under construction and whose church still lacked a façade.
Henry III and Jean de La Barrière on the convent building-site – 1790 engraving after one of the stained-glass windows in the convent's cloister.
Bas-relief, by Anguier , from the 1676 gatehouse on rue Saint-Honoré (1790 engraving). [ N 1 ]
Buildings of the salle du Manège and the couvent des Feuillants on the plan de Turgot (1736).
The Tennis Court Oath by David, painted in the nave of the church.
Painting by Hubert Robert showing the demolition of the Feuillants church ( musée Carnavalet ).
Gateway of the convent. Drawing by Jean-Baptiste Lallemand , 18th century.