Crane Wilbur

He brought to the first motion pictures merry eyes, a great, thick crop of wavy, black hair and an athlete's interest in swimming and horseback riding.

[2] In an article in the October 1915 issue of Motion Picture Magazine, Wilbur recalled, "My life hasn't been a path of roses, nor always the straight and narrow road.

In April 1910, the American Pathé studio formed and began producing films in a remodeled cash register factory at Bound Brook, New Jersey.

Pearl White, a performer from vaudeville who had some movie experience with the Powers Picture Play Company, joined the fledgling studio.

When the company planned to make a serial, The Perils of Pauline, in 1914, Wilbur wanted the lead male role that would pair him with Pearl White.

In 1916, Wilbur scored a personal hit with a five-reel Mutual Masterpiece film, Vengeance is Mine, a thrilling story about the abolishment of capital punishment.

In 1959, Allied Artists made another version of Mary Roberts Rinehart's play The Bat, starring Vincent Price and Agnes Moorehead and directed by Wilbur.

The story of eerie happenings in a creepy mansion rented for the summer by a writer of mystery novels had been perennially exciting for audiences, and kept him comfortably funded with royalties for years.