In it, he repeatedly emphasizes the importance of a uniquely American literature, one that breaks away from tradition and the past and focuses on the present in order to depict reality through the artists own eyes.
Crumbling Idols was decreed a controversial work by the general population and critics during the time of its publication as it attacked many of the features and ideas of nineteenth century literature.
Most of his other essays worked to promote realist ideals and values, such as local color and distinction and originality in art.
Crumbling Idols was especially supported by fellow Realist authors, such as William Dean Howells and Stephen Crane.
Garland places much of the blame on American schools he charges with indoctrinating pupils in worshipping the past while turning a blind eye to new and upcoming literary movements.
While it is good to read such authors as Shakespeare, Ibsen, Dante, etc., it is important to acknowledge that they do not represent the present or future.
[4] Garland also wanted to promote the Chicago-based company, as he of course felt it important for different regions to develop their own individual art.