Since 2011, the NFA has been involved in major digitisation projects (Markéta Lazarová, The Firemen’s Ball, All My Compatriots, Closely Watched Trains, Voyage to the End of the Universe, Case for a Rookie Hangman, Adelheid and others.
)[2] The NFA takes care of more than 150 million metres of film, more than 500,000 photos, over 30,000 posters, and 100,000 promotional materials.
Archival collections and a film library serve professionals engaged in scientific research and are a source of information and materials for contemporary audio-visual production.
Czech Film Archive preserved last surviving copies of many films that were considered lost - Match de Prestidigitation (1904), La Chaussette (1905), Amoreux de Madame (1909) by Georges Méliès,[3] Flowing Gold (1924), a technicolor version of Ben-Hur (1925), The Lost World (1925), Borrowed Finery (1925), Her Wild Oat (1927),[4] It (1927), Now We're in the Air (1927), best preserved version of F.W.
Murnau's Sunrise: A Song of Two Humans (1927), color version of Mysterious Island (1929),[5] Vladimir Suteev's Street Across (1931) and other films by John Ford, Henry King, Tod Browning, Maurice Tourneur, and William Wellman.