[1][2] Beginning in the early 1990s, he intended to do what DJ Tony Touch was already doing in New York, who was releasing a series of mixtapes, mixing popular and classic songs off most known musical styles like Reggae, Hip Hop and House.
Playero #34 made its appearance on the Internet some years ago and it was heard by people around the world realizing that this mixtape was putting together dancehall, hip hop and Puerto Rican singers freestyling in Spanish-language.
These tape and the following 35 and 36 circulated around the barrios of San Juan and were highly influential upon the generation that would go on to define reggaeton in the coming decade.
During the late 1990s, as the proto-reggaeton style began to grow popular thanks to 'The Noise', a club-based collective that issued a long-running series of CDs.
Playero en DVD: Su Trayectoria (2003) was the culmination of this activity, aiming to cement his legacy as one of the key reggaeton pioneers.