Patterns in nature

In the 19th century, the Belgian physicist Joseph Plateau examined soap films, leading him to formulate the concept of a minimal surface.

In the 20th century, the British mathematician Alan Turing predicted mechanisms of morphogenesis which give rise to patterns of spots and stripes.

The Hungarian biologist Aristid Lindenmayer and the French American mathematician Benoît Mandelbrot showed how the mathematics of fractals could create plant growth patterns.

[3] Centuries later, Leonardo da Vinci (1452–1519) noted the spiral arrangement of leaf patterns, that tree trunks gain successive rings as they age, and proposed a rule purportedly satisfied by the cross-sectional areas of tree-branches.

[3] In 1658, the English physician and philosopher Sir Thomas Browne discussed "how Nature Geometrizeth" in The Garden of Cyrus, citing Pythagorean numerology involving the number 5, and the Platonic form of the quincunx pattern.

[7] In 1754, Charles Bonnet observed that the spiral phyllotaxis of plants were frequently expressed in both clockwise and counter-clockwise golden ratio series.

[3] In his 1854 book, German psychologist Adolf Zeising explored the golden ratio expressed in the arrangement of plant parts, the skeletons of animals and the branching patterns of their veins and nerves, as well as in crystals.

[8][9][10] In the 19th century, the Belgian physicist Joseph Plateau (1801–1883) formulated the mathematical problem of the existence of a minimal surface with a given boundary, which is now named after him.

[11] Lord Kelvin identified the problem of the most efficient way to pack cells of equal volume as a foam in 1887; his solution uses just one solid, the bitruncated cubic honeycomb with very slightly curved faces to meet Plateau's laws.

[12] Ernst Haeckel (1834–1919) painted beautiful illustrations of marine organisms, in particular Radiolaria, emphasising their symmetry to support his faux-Darwinian theories of evolution.

[18] In 1968, the Hungarian theoretical biologist Aristid Lindenmayer (1925–1989) developed the L-system, a formal grammar which can be used to model plant growth patterns in the style of fractals.

In 1975, after centuries of slow development of the mathematics of patterns by Gottfried Leibniz, Georg Cantor, Helge von Koch, Wacław Sierpiński and others, Benoît Mandelbrot wrote a famous paper, How Long Is the Coast of Britain?

[20] Living things like orchids, hummingbirds, and the peacock's tail have abstract designs with a beauty of form, pattern and colour that artists struggle to match.

[31] Among non-living things, snowflakes have striking sixfold symmetry; each flake's structure forms a record of the varying conditions during its crystallization, with nearly the same pattern of growth on each of its six arms.

[33] Rotational symmetry is found at different scales among non-living things, including the crown-shaped splash pattern formed when a drop falls into a pond,[34] and both the spheroidal shape and rings of a planet like Saturn.

Fern-like growth patterns occur in plants and in animals including bryozoa, corals, hydrozoa like the air fern, Sertularia argentea, and in non-living things, notably electrical discharges.

[19] Fractal-like patterns occur widely in nature, in phenomena as diverse as clouds, river networks, geologic fault lines, mountains, coastlines,[44] animal coloration, snow flakes,[45] crystals,[46] blood vessel branching,[47] Purkinje cells,[48] actin cytoskeletons,[49] and ocean waves.

For example, in the nautilus, a cephalopod mollusc, each chamber of its shell is an approximate copy of the next one, scaled by a constant factor and arranged in a logarithmic spiral.

[61] From a biological perspective, arranging leaves as far apart as possible in any given space is favoured by natural selection as it maximises access to resources, especially sunlight for photosynthesis.

[65] Vortex streets are zigzagging patterns of whirling vortices created by the unsteady separation of flow of a fluid, most often air or water, over obstructing objects.

As soon as the path is slightly curved, the size and curvature of each loop increases as helical flow drags material like sand and gravel across the river to the inside of the bend.

Dunes may form a range of patterns including crescents, very long straight lines, stars, domes, parabolas, and longitudinal or seif ('sword') shapes.

[75][76] The skeleton of the Radiolarian, Aulonia hexagona, a beautiful marine form drawn by Ernst Haeckel, looks as if it is a sphere composed wholly of hexagons, but this is mathematically impossible.

A result of this formula is that any closed polyhedron of hexagons has to include exactly 12 pentagons, like a soccer ball, Buckminster Fuller geodesic dome, or fullerene molecule.

[80] In a tough fibrous material like oak tree bark, cracks form to relieve stress as usual, but they do not grow long as their growth is interrupted by bundles of strong elastic fibres.

[82] Alan Turing,[17] and later the mathematical biologist James Murray,[83] described a mechanism that spontaneously creates spotted or striped patterns: a reaction–diffusion system.

[84] The cells of a young organism have genes that can be switched on by a chemical signal, a morphogen, resulting in the growth of a certain type of structure, say a darkly pigmented patch of skin.

[89] Natural patterns are sometimes formed by animals, as in the Mima mounds of the Northwestern United States and some other areas, which appear to be created over many years by the burrowing activities of pocket gophers,[90] while the so-called fairy circles of Namibia appear to be created by the interaction of competing groups of sand termites, along with competition for water among the desert plants.

[91] In permafrost soils with an active upper layer subject to annual freeze and thaw, patterned ground can form, creating circles, nets, ice wedge polygons, steps, and stripes.

Numerical models in computer simulations support natural and experimental observations that the surface folding patterns increase in larger brains.

Natural patterns form as wind blows sand in the dunes of the Namib Desert . The crescent shaped dunes and the ripples on their surfaces repeat wherever there are suitable conditions.
Patterns of the veiled chameleon , Chamaeleo calyptratus , provide camouflage and signal mood as well as breeding condition .
Composite patterns: aphids and newly born young in arraylike clusters on sycamore leaf, divided into polygons by veins , which are avoided by the young aphids