Dalek

He then integrated them with tank-like robotic shells equipped with advanced technology based on the same life-support system he himself had used since being burned and blinded by a nuclear attack.

[8] According to Jeremy Bentham's Doctor Who—The Early Years (1986), after Nation wrote the script, Cusick was given only an hour to come up with the design for the Daleks and was inspired in his initial sketches by a pepper pot on a table.

He consciously based the Daleks on the Nazis, conceiving the species as faceless, authoritarian figures dedicated to conquest, racial purity and complete conformity.

[6][11][18] Hancock worked on several series proposals, one of which was called From Plip to Plop, a comedic history of the world that would have ended with a nuclear apocalypse, the survivors being reduced to living in dustbin-like robot casings and eating radiation to stay alive.

[25] Early plans for what eventually became the 1996 Doctor Who television movie included radically redesigned Daleks whose cases unfolded like spiders' legs.

[42] The mutants' actual appearance has varied, but often adheres to the Doctor's description of the species in Remembrance of the Daleks as "little green blobs in bonded polycarbide armour".

[42] For many years it was assumed that, due to their design and gliding motion, Daleks were unable to climb stairs, and that this provided a simple way of escaping them.

[52] A lack of familiar reference points differentiated them from the traditional "bug-eyed monster" of science fiction, which Doctor Who creator Sydney Newman had wanted the show to avoid.

[53] The unsettling Dalek form, coupled with their alien voices, made many believe that the props were wholly mechanical and operated by remote control.

[7] The Daleks were actually controlled from inside by short operators,[54] who had to manipulate their eyestalks, domes, and arms; as well as flashing the lights on their heads in-sync with the actors supplying their voices.

[54] In addition to being hot and cramped, the Dalek casings also muffled external sounds, making it difficult for operators to hear the director or dialogue.

[55] Later versions of the prop had more efficient wheels and were once again simply propelled by the seated operators' feet, but they remained so heavy that when going up ramps they often had to be pushed by stagehands out of camera shot.

[55] This problem has largely been eradicated with the advent of the "new series" version, as its remotely controlled dome and eyestalk allow the operator to concentrate on the smooth movement of the Dalek and its arms.

Other minor changes were made to the design due to these new construction methods, including altering the fender and incorporating the arm boxes, collars, and slats into a single fibreglass moulding.

For example, John Birt, the Director-General of the BBC from 1992 to 2000, was called a "croak-voiced Dalek" by playwright Dennis Potter in the MacTaggart Lecture at the 1993 Edinburgh Television Festival.

Though the aliens are never seen on-screen, the story shows the Time Lord villain the Master being executed on Skaro as Dalek voices chant "Exterminate."

They emerged along with the Genesis Ark, a Time Lord prison vessel containing millions of pure Daleks, at Canary Wharf due to the actions of the Torchwood Institute and Cybermen from a parallel world.

The plan fails due to the interference of Donna Noble, a companion of the Doctor, and Caan, who has been manipulating events to destroy the Daleks after realising the severity of the atrocities they have committed.

The new Daleks are organised into different roles (drone, scientist, strategists, supreme and eternal), which are identifiable with colour-coded armour instead of the identification plates under the eyestalk used by their predecessors.

The same special reveals that many Time Lords survived the war since the Doctor found a way to transfer planet Gallifrey out of phase with reality and into a pocket dimension.

[100] Daleks have little, if any, individual personality,[35] ostensibly no emotions other than hatred and anger,[33] and a strict command structure in which they are conditioned to obey superiors' orders without question.

[106][107] Dalek society is depicted as one of extreme scientific and technological advancement; the Third Doctor states that "it was their inventive genius that made them one of the greatest powers in the universe.

[110] Spin-off novels contain several tongue-in-cheek mentions of Dalek poetry, and an anecdote about an opera based upon it, which was lost to posterity when the entire cast was exterminated on the opening night.

In "Doomsday", Rose notes that while the Daleks see the extermination of five million Cybermen as "pest control", "one Doctor" visibly un-nerves them (to the point they physically recoil).

[169] At the 1966 Conservative Party conference in Blackpool, delegate Hugh Dykes publicly compared the Labour government's Defence Secretary Denis Healey to the creatures.

"[170] In a British Government Parliamentary Debate in the House of Commons on 12 February 1968, the then Minister of Technology Tony Benn mentioned the Daleks during a reply to a question from the Labour MP Hugh Jenkins concerning the Concorde aircraft project.

[173] During a 2021 House of Commons debate about the retention of dentists in rural areas of the United Kingdom during the COVID-19 pandemic, the voice of Conservative MP Scott Mann of North Cornwall, while on a video link, became distorted due to a malfunction with his audio feed.

Deputy Speaker of the House Nigel Evans interrupted his broadcast, amidst the chuckles from other MPs; by saying, "Scott, you sound like a Dalek and I don't mean that unkindly.

[187] The 2010 United Kingdom general election campaign also prompted a collector's set of three near-identical covers of the Radio Times on 17 April with exactly the same headline but with the newly redesigned Daleks in their primary colours representing the three main political parties, Red being Labour, Blue as Conservative and Yellow as Liberal Democrats.

[194] A joke-telling robot, possessing a Dalek-like boom, and loosely modelled after the Dalek, also appeared in the South Park episode "Funnybot", even spouting out "exterminate".

Terry Nation drew inspiration from the Nazis in depicting the Daleks as faceless and jingoistic racial supremacists.
A man in camouflage fatigues winces with pain as he tries to remove a green alien creature from his neck.
Kaled mutants are octopus-like; many are coloured green, such as this one from " Resurrection of the Daleks ".
A Bronze Dalek seen at Television Centre, albeit with a missing globe on its bottom "base unit"
Time War Dalek model on display at MediaCityUK in Manchester
A comics page with eleven panels. The first panel contains the title "The Daleks" in jagged white letters. Subsequent panels show Dalek cylinders (slightly narrower than those depicted in previous images) and blue-skinned humanoids with bulbous heads. The last panel shows a gold-coloured Dalek-like shape with a large spherical top.
A page from the TV 21 comic strip, featuring the creation of the Emperor Dalek
A Louis Marx & Co. Dalek model
A square record cover, with the text "I'M GONNA SPEND MY CHRISTMAS WITH A DALEK" and the label "ORIOLE" (smaller) above a photograph showing a young woman and four young men in 1960s dress smiling and laughing at a grey Dalek on an urban street. The white text "the go-go's" is superimposed on the lower left quadrant of the photograph.
The cover of the 1964 novelty single "I'm Gonna Spend My Christmas with a Dalek" by the Go-Go's
A gatefold magazine cover, depicting a nighttime scene with four gold Daleks in the foreground, the railing of a bridge in the midground, and the Perpendicular Gothic towers of the Houses of Parliament and Big Ben in the background. The left half of the image contains the text "Radio Times" in the top, and "VOTE DALEK!" in the lower left. A small black-and-white photograph is superimposed on the upper left of the right side of the image; that photograph, taken from a slightly different angle, shows four Daleks crossing the same bridge, with the same building in the background.
The Radio Times for 30 April – 6 May 2005 covered both the return of the Daleks to Doctor Who and the forthcoming general election . In 2008, it was voted the best British magazine cover of all time.