Depending on the amount of choreographic and/or presentational adjustment an original work is subjected to, the filmed version may be considered as dance for camera.
[1] Australia's The Physical TV Company, directed by Richard James Allen and Karen Pearlman, is well known for creating original works that are a sophisticated meeting of the possibilities of cinema with those of dance.
Dance films such as Rubberman Accepts The Nobel Prize (2001), No Surrender (2002), and Down Time Jaz (2003) are differing examples of the possibilities of this approach involving comedy, visual effects, drama, and animation.
[citation needed] Flor Cósmica (1977), Pola Weiss Álvarez's video, presented at the ninth International VideoArt Meeting at the Carrillo Gil Museum.
[2] In 2012, on ARTE TV, she gave an interview in which she talked about screen dance and its ability to place the camera anywhere in relation to the dancer's body.