Employing performative and participatory processes, she creates images and voices that interrogate ever-changing social, political, and cultural contexts also for their utopian potential.
Her working method is characterised by her longstanding collaboration with the photographer Egbert Trogemann, the composer Bojan Vuletić, and the producer Amra Bakšić Čamo.
Her projects are based on often lengthy research and production processes, which make intensive collaboration with the protagonists in her works indispensable.
Beginning in 1997, in collaboration with the Sarajevo Center for Contemporary Art (SCCA), she developed works in Sarajevo's urban spaces that engaged with the upheavals of a post-war society and that uncover processes of language development: In the video projection MADAME X (1997) she positioned herself for the first time in her hometown after all the changes caused by the war.
[6] In her work WITNESS (1998), she placed a video and sound intervention on the empty pedestal of the monument to the writer Ivo Andrić in Sarajevo's city park, to question the rewriting of history in times of great upheavals using the example of the missing bust of the Nobel Prize winner.