He was of Jewish origin and the youngest son of lawyer Fortunato and Clarita, who drew a classic design in Paris.

[3] Capitão Cipó was a parody on the sexual revolution and is visually a bit similar to Guy Peellaerts famous Jodelle and Pravda pop art graphic novels.

Azulay had a constructive influence on the 1980s generation who learned from him to design, build toys from domestic scrap, and the importance of recycling and sustainability in defense of the environment.

[4] He traveled the world exhibiting, giving lectures and conducting workshops on art, education and social responsibility.

In 2009, he taught drawing on videos for the UOL website, made specials for Canal Futura and even participated on TV Rá-Tim-Bum.