Daniel Hensel

[9] Hensel's music was played by artists such as Carin Levine[10] and Markus Bellheim, the Ensemble Modern, the Staatsorchester Stuttgart, and conductors such as Manfred Honeck.

Several pieces were composed on behalf of festivals such as the A•DEvantgarde-Festival, young-euro.classic or Kasseler Musiktage, or institutions such as the Carl Orff Center Munich or Staatstheater Stuttgart and broadcast by several German radio stations.

[11] In 2007, his piece "Refexions for Orchestra" was the official German musical contribution for the handover of the EU-council presidency from Germany to Portugal.

In the same year, his dissertation concerning the music of Gerhard Schedl[15] was published and in 2012 he edited Emanuel Aloys Förster´s basso continuo school including Karl Weigl´s biography on Förster.

[citation needed] In 2016 he obtained his post-doctoral lecturer's qualification in systematical musicology and has become a member of the philosophical faculty of Martin Luther University of Halle-Wittenberg.

(Mode, time-management, and sound design in motets by Orlando di Lasso and Giovanni Pierluigi da Palestrina)[18] for which the software-developer Ingo Jache and Hensel developed the music analyzing Software PALESTRiNIZER.

:06.10.08 8:00 p.m., Hochschule fuer Musik Wuerzburg Op.18 "Chant of consecrated life", for big orchestra, on behalf of the state opera Stuttgart, dedicated to Prof. Heinz Winbeck, WP.

Op.25 "Duo for Violin and Violoncello", "Self-destruction and swan song", WP: 19 April 2013, Alte Schmiede Vienna, by Marianna Oczkowska and Tomasz Skweres, available at Musikverlag Doblinger, Wien-München Op.28 "The apparent death", from "Des Knaben Wunderhorn", for Fl., Cl., Pf., Sopran, Vl.

and Vcl, on behalf of the ÖGZM, WP: 6.23.16 at Österreichischen Kulturforum at the Austrian embassy in Berlin by Ensemble Platypus Op.29 Trio for Violin Cello and Piano Op.30 "Bohemian cemetery", for Soprano and Orchestra after a Poem by Jörg Bernig.

From the deep I call LORD to you"; electroacoustic; dedicated to the memory of my father; Speaker Jörg Bernig and Anna-Maximiliane Geraldine Hensel; funded by NEUSTART KULTUR "Stipendienprogramm 2021" of the GERMAN German federal ministry for culture and GEMA; Original broadcast on September 22, 2022, at 10:05 p.m. on BR Klassik, composed 2021-2022, based on a eulogy by Anna-Maximiliane Geraldine Hensel and poems from "wüten gegen die stunden" by Jörg Bernig[26] Op.39 "sonus spatium", 2. movement for J.B. Bach's third Brandenburg-Concerto Op.40 "Trauer", for high soprano, harmonium, harp, celesta, and live electronics, based on Stefan George's "Trauer I", funded by NEUSTART KULTUR "Scholarship Program 2022" of the German federal ministry for culture and the Deutscher Musikrat, composed Aug-Sept 2022 Op.41 "Energies..." for small clarinet, clarinet, bass clarinet, violin, viola, cello, and piano, funded by NEUSTART KULTUR "Scholarship Program 2022" German federal ministry for culture and the Deutscher Musikrat, composed Sept.-Dec. 2022 for the 150th birthday of Arnold Schoenberg Op.42 "EM-Suite", commissioned by hr2-kultur, electroacoustic work in seven movements, composed February–March 2023 Op.43 "Sinfonietta", composed May to June 2023 Study No.1 Sonic Visualization of op.24 No.1 Study No.1 Picturization as a video animation of op.24.

Hensel in 2014