Its style is rhetorical and pastoral; its shepherds and shepherdesses are wholly conventional, but the author imparts human interest to this idealized world.
Daphnis and Chloe resembles a modern novel more than its chief rival among Greek erotic romances does, the Aethiopica of Heliodorus, which is remarkable more for its plot than for its characterization.
"[2] Throughout the book, Chloe is courted by suitors, two of whom (Dorcon and Lampis) attempt with varying degrees of success to abduct her.
Along with the Diana of Jorge de Montemayor (published in the same year), Daphnis and Chloe helped inaugurate a European vogue for pastoral fiction in the sixteenth and seventeenth centuries.
Daphnis and Chloe was the model of La Sireine of Honoré d'Urfé, the Aminta of Torquato Tasso, and The Gentle Shepherd of Allan Ramsay.
The 1952 work Shiosai (The Sound of Waves), written by the Japanese writer Yukio Mishima following a visit to Greece, is considered to have been inspired by the Daphnis and Chloe myth.