Dara Greenwald

[5] Her 2005 video work United Victorian Workers was screened at a number of venues including Creative Time's major exhibition at the Park Avenue Armory in New York City, Democracy in America, curated by Nato Thompson, as well as the Aurora Picture Show, San Francisco Art Institute, and the Brecht Forum.

[10] In a feature in Sculpture Magazine, author Jesse Ball describes the work's intention as an attempt to "make the invisible visible, from daily routines to entire cultural moments" and "to re-create the façade of a missing building and thereby trigger its psycho-physical space in the landscape as well as its historical context.

"[11] The work consisted of an inflatable model of Liberty Street Presbyterian Church blown up in a parking lot and became a temporary community event space in Troy, NY.

[12] The church had originally burned down in 1941 and its memory was revitalized through video projected within the giant inflatable sculpture in collaboration with The Rensselaer County Historical Society.

In conversation with the press, Bloque members would use two aliases—Ellen Jones and Julie Smith—in order to present a unified front and privilege a collective, rather than individual, voice.