Darren Almond

[5] A Real Time Piece (1995), was a live video link that showed his studio, empty but for an industrial flip-clock on the wall that amplified the passing of each minute.

[6] Among Almond's other early works is a series of nameplates in cast aluminium, made in imitation of the plaques on British 125 inter-city trains.

[citation needed] Since 1998, he has taken a series of photographs on nights with a full moon, using extended exposure times of fifteen minutes or longer.

The Fullmoon series began as a way of navigating the places of traditional landscape painters, e.g. with a shot of Mount Saint Victoire in Provence that had been the subject of many of Cézanne's paintings,[7] but has evolved over time to include other remote locations.

The second projection shows the view of the tunnel, in black and white, shot from the train that descends into the passages of the mine, in effect what is awaiting the miners when they are finished dressing for work.

As with the Fullmoon photographs, Almond made use of moonlight and long exposures to shoot Infinite Betweens, preserving the movement of the flags and confronting the viewer with impossible perspectives, different focal points and a feeling of being within the picture.

These photographs developed out of Almond's film In the Between (2006), a 3-channel HD video with audio that examines the new high speed train that connects China with Tibet, a reinforcement of Chinese dominance.

[citation needed] In 2011, Almond was commissioned with a photographic installation and lightbox panels for the Barts and The London School of Medicine and Dentistry.