Das Liebesverbot

[9] An unnamed King of Sicily leaves his country on a journey to Naples, as I suppose, and deputes to his appointed State-holder—called simply Friedrich, to mark him for a German—the full authority to use all royal powers in an attempt to radically reform the manners of his capital, which had become an abomination to the strait-laced minister.

The populace interferes; great riot: after a roll of the drums the chief constable Brighella (basso buffo), standing at bay, reads out the edict of the State-holder according to which these measures have been adopted to secure a better state of morals.

His affianced, whom the hostility of her parents has prevented his marrying, has become a mother by him; the hatred of the relatives allies itself with Friedrich's puritanic zeal: he fears the worst, and has one only hope of rescue, that the pleading of his sister Isabella may succeed in softening the tyrant's heart.

As she observes the impression of her warmth, with ever-greater fire she goes on to address the hidden feeling of the judge's heart, which cannot possibly have been quite barred against the sentiments that made her brother stray, and to whose own experience she now appeals for help in her despairing plea for mercy.

Already the whole crowd is pouring in to the judgment hall, when Friedrich's desperate self-command succeeds in convincing Isabella, by a few well-chosen phrases, of the impossibility of her attempt: he would simply deny her accusation, represent his offer as a means of detection, and certainly find credence if it came to any question of repudiating a charge of wanton insult.

But while Friedrich is displaying his utmost rigour afresh to the people, and delivering sentence on the prisoner, Isabella suddenly remembers the mournful fate of Marianne; like a lightning flash, she conceives the idea of gaining by stratagem what seems impossible through open force.

At once she bounds from deepest sorrow to the height of mirth: to her lamenting brother, his downcast friend, the helpless throng, she turns with promise of the gayest escapade she will prepare for all of them, for the very Carnival which the State-holder had so strenuously forbidden shall be celebrated this time with unwonted spirit, as that dread rigorist had merely donned the garb of harshness the more agreeably to surprise the town by his hearty share in all the sport he had proscribed.

Everyone deems her crazy, and Friedrich chides her most severely for such inexplicable folly: a few words from her suffice to set his own brain reeling; for beneath her breath she promises fulfilment of his fondest wishes, engaging to despatch a messenger with welcome tidings for the following night.

As soon as she has returned him to the gaoler, her bearing once more passes to ebullient glee: she resolves indeed to chastise the weak-kneed by prolonging his uncertainty about his fate, but still abides by her decision to rid the world of the most disgraceful hypocrite that ever sought to frame its laws.

The madcap Luzio, whom she also means to punish for his impudent proposal to a novice, she tells of Friedrich's passion, and remarks on her feigned decision to yield to the inevitable in such a flippant fashion that she plunges him, at other times so feather-brained, into an agony of despair: he swears that even should the noble maid intend to bear this untold shame, he will ward it off with all his might, though all Palermo leap ablaze.

Brighella approaching with a company of the watch, to disperse the motley gathering, the revellers are about to put their murderous projects into execution; but Luzio bids them scatter for the present, and ambush in the neighbourhood, as he here must first await the actual leader of their movement: for this is the place that Isabella had tauntingly divulged to him as her rendezvous with the State-holder.

For the latter Luzio lies in wait: he soon detects him in a stealthy masker, whose path he bars, and as Friedrich tears himself away he is about to follow him with shouts and drawn rapier, when by direction of Isabella, concealed among the bushes, he himself is stopped and led astray.

At her call to instant revolt against the odious tyrant the whole populace assembles, in wildest turmoil: Luzio, arriving on the scene at this juncture, sardonically adjures the throng to pay no heed to the ravings of a woman who, as she has deceived himself, assuredly will dupe them all; for he still believes in her shameless dishonour.

Amazement, indignation, joy: the necessary explanations are soon got through; Friedrich moodily asks to be led before the judgment-seat of the King on his return, to receive the capital sentence; Claudio, set free from prison by the jubilant mob, instructs him that death is not always the penalty for a love-offence.

Fresh messengers announce the unexpected arrival of the King in the harbour; everyone decides to go in full carnival-attire to greet the beloved prince, who surely will be pleased to see how ill the sour puritanism of the Germans becomes the heat of Sicily.

Richard Wagner (c. 1840; age 27).