David Royston Bailey CBE (born 2 January 1938) is an English photographer and director, most widely known for his fashion photography and portraiture, and role in shaping the image of the Swinging Sixties.
[2] He left school on his fifteenth birthday, to become a copy boy at the Fleet Street offices of the Yorkshire Post.
He raced through a series of dead end jobs, before his call up for national service in 1956, serving with the Royal Air Force in Singapore in 1957.
Unable to obtain a place at the London College of Printing because of his school record, he became a second assistant to David Ollins, in Charlotte Mews.
[5] Along with Terence Donovan and Brian Duffy, Bailey captured and helped create the 'Swinging London' of the 1960s: a culture of fashion and celebrity chic.
The film Blowup (1966), directed by Michelangelo Antonioni, depicts the life of a London fashion photographer who is played by David Hemmings, whose character was inspired by Bailey.
[7] The "Swinging London" scene was aptly reflected in his Box of Pin-Ups (1964): a box of poster-prints of 1960s celebrities including Terence Stamp, The Beatles, Mick Jagger, Jean Shrimpton, P. J. Proby, Cecil Beaton, Rudolf Nureyev and East End gangsters, the Kray twins.
[9] American Vogue's creative director Grace Coddington, then a model herself, said "It was the Sixties, it was a raving time, and Bailey was unbelievably good-looking.
[5]Bailey was hired in 1970 by Island Records' Chris Blackwell to shoot publicity photos of Cat Stevens for his upcoming album Tea for the Tillerman.
[10] Bailey also photographed album sleeve art for musicians including The Rolling Stones and Marianne Faithfull.
[13] In 2012, the BBC made a film of the story of his 1962 New York photoshoot with Jean Shrimpton, entitled We'll Take Manhattan, starring Aneurin Barnard as Bailey.
[citation needed] In October 2013, Bailey took part in Art Wars at the Saatchi Gallery curated by Ben Moore.
[15] In October 2020 Bailey's memoir Look Again in co-operation with author James Fox was published by Macmillan Books, a review on his life and work.
[16] Bailey began working with fashion brand Jaeger in the late 1950s when Jean Muir landed the role of designer.
[17] His first shoot in New York City was of young model Jean Shrimpton, who wore a range of Jaeger and Susan Small clothing, including a camel suit with a green blouse and a suede coat worn with kitten heels.
Also on the shoot was model, philanthropist and film director Elisa Sednaoui along with GQ magazine's most stylish male 2003, Martin Gardner.