All but Pestilence are part of the Florida death metal scene,[2][3] to which Nocturnus, another influential band, also belongs.
Distinct features of the subgenre include dynamic song structures, complex and atypical rhythmic structures, abundant use of diminished chords and arpeggios, frequent employment of odd time chord progressions, and consistent use of techniques such as string skipping in the guitar work.
According to music journalist T Coles, "Though death metal songwriters weren't moving away from the grim subject material, there was a growing desire for clarity, with bands tightening up to better communicate weird or abstract ideas of death, and to court some of the more lucrative commercial possibilities.
This more professional approach, forged from recording engineers and musicians working to refine the sound, would be the spark that finally ignited the interest of larger organizations.
In 1991, New York death metal group Suffocation released their debut album Effigy of the Forgotten, which focused on pairing speed and brutality with a "sophisticated" sense of songwriting.